Casopra canvas Toronto Night Drift above an oxblood velvet sofa in a moody charcoal living room

Masterpieces · 3 min read

The Scream: Four Versions and a Blood-Red Sky

December 2025

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It has been used on political posters and in horror films, and it even has its own emoji.1 But The Scream began as a few lines in a notebook, written by a Norwegian painter after a walk at sunset.

A walk above the fjord

Edvard Munch was born on 12 December 1863 in Løten, Norway. His mother died when he was five and his eldest sister when he was 14, both of tuberculosis.2 Before he painted The Scream, he described its subject in a prose poem in one of his notebooks:1

“I was walking along the road with two friends – the sun was setting – suddenly the sky turned blood red … and I sensed an infinite scream passing through nature.”

Edvard Munch, notebook, 1892 (MM T 2367), translated by the Nasjonalmuseet
Edvard Munch, The Scream, 1893, a figure holding its face on a bridge under a swirling blood-red sky
Edvard Munch, The Scream, 1893, tempera and crayon on cardboard. Nasjonalmuseet, Oslo. Public domain, via Wikimedia Commons.
01 · The place

The place is real: the fjord of Kristiania, today's Oslo, seen from Ekeberg hill. The two figures strolling on the left are the two friends of the poem.1

02 · The figure

From a man in a hat to a face nobody can name

A year earlier, in 1892, Munch had painted almost the same picture, Despair: same colors, format and landscape. The difference is the main figure. In Despair it is a clearly defined man in a hat and coat. In The Scream it has become a mysterious presence, turned to face us.1

03 · The face

Is it a man or a woman? A skull or a face? Those questions make the picture a visual enigma, and the head-on pose makes it confrontational.1

Edvard Munch, Despair, 1892, a man in a hat leaning on a railing under a red sunset sky
Edvard Munch, Sick Mood at Sunset. Despair, 1892. Thielska Galleriet, Stockholm. Public domain, via Wikimedia Commons.
Edvard Munch, The Scream, 1895, pastel version with brighter colors
Edvard Munch, The Scream, 1895, pastel. Private collection. Public domain, via Wikimedia Commons.

Why it changed painting

Munch worked on the motif for a long time, yet the painting looks fast and spontaneous. That handling, with its vivid, unrealistic colors, made form and content express the same thing.1 The Nasjonalmuseet sees the work as a turning point from Symbolism to the Expressionism of the 1900s.1

It belongs to the same family as Van Gogh's Starry Night, painted four years earlier: a landscape bent by feeling. Both lead into the story of modern art, and later to the dream worlds of Surrealism.

“Can only be painted by a madman!”

At the top left of the 1893 painting, a barely legible pencil note reads: “Can only be painted by a madman!” For years, researchers thought a visitor had written it. In 2020, an infrared and handwriting study by the Nasjonalmuseet and the Munch Museum concluded that Munch wrote it himself.1

Casopra canvas Moonlit Howl XV in a dark grey hallway above a slim black bench
In the photo: Moonlit Howl XV, a Casopra canvas.

Drama, handled with care

An intense picture needs room to breathe. Give it a wall of its own, in a hallway or a study rather than above the bed, and let deep wall colors frame it.

One strong image is enough: surround it with calm.

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Four atmospheric canvases with a touch of mystery.

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