Art History · 2 min read
Pop Art Was Born in London, Not New York
Soup cans, comic strips, Marilyn Monroe: pop art looks American. But it started a few years earlier in London, in a small club of artists, critics and architects who loved the very things most intellectuals despised.
London first
Tate puts it plainly: pop art emerged in the mid-1950s in Britain and in the late 1950s in America, and reached its peak in the 1960s.1 The Americans made it famous. The British got there first.
A club that liked advertising
In the winters of 1952–53 and 1953–54, a group of young artists, writers and architects met at the Institute of Contemporary Arts in London. They called themselves the Independent Group.2
Among them were the artists Richard Hamilton and Eduardo Paolozzi, the critics Lawrence Alloway and Reyner Banham, and the architects Alison and Peter Smithson.2 What they shared was an interest in popular and commercial culture: magazines, cars, films, ads.2
“We felt none of the dislike of commercial culture standard among most intellectuals.”
Lawrence Alloway, on the Independent Group
This Is Tomorrow
In 1956 the Whitechapel Gallery in London held an exhibition called This Is Tomorrow. Twelve groups, each in principle a painter, a sculptor and an architect, built environments on the theme of modern living.3
Hamilton's team, known as Group 2, mixed popular imagery, including Robby the Robot from the science-fiction film Forbidden Planet, with optical illusions that played with the visitors' sense of space.3
For the catalogue, Hamilton made a small collage with a long title: Just what is it that makes today's homes so different, so appealing? It was also used as the exhibition poster, and it has come to define the beginning of British pop art.3

A recipe in one letter
In 1957 Hamilton wrote to Peter and Alison Smithson with a list of what pop art should be. It begins:
“Popular (designed for a mass audience), Transient (short-term solution), Expendable (easily forgotten).”1
Nearly seventy years later, it still describes a great deal of what we see every day.
Then America took over
By the late 1950s, America had its own pop artists.1 Roy Lichtenstein blew up comic-strip panels, as in Whaam! (1963); Andy Warhol repeated Marilyn Monroe's face, as in the Marilyn Diptych (1962). Both works are now at Tate.1
The paintings of Hamilton, Paolozzi, Lichtenstein and Warhol are still protected by copyright, so we can't show them here. The links in the notes lead to the museums that hold them.
Pop at home
Pop art loves a white wall. One bold canvas, with nothing competing around it, gives a room energy without clutter. Hang it at the usual 57 inches to the center, and let the color do the talking.
Pick one or two of its colors for a cushion or a lamp, and the room will feel designed rather than loud.
Shop the story
Everyday things, made bold
A pepper, a rose, a cup, a blueberry: four canvases in the spirit of pop.



